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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="en"><front><journal-meta><journal-id journal-id-type="publisher-id">japanreview</journal-id><journal-title-group><journal-title xml:lang="en">Russian Japanology Review</journal-title><trans-title-group xml:lang="ru"><trans-title>Russian Japanology Review</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2658-6789</issn><issn pub-type="epub">2658-6444</issn><publisher><publisher-name>Association of Japanologists</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.24411/2658-6789-2019-10009</article-id><article-id custom-type="elpub" pub-id-type="custom">japanreview-12</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>Статьи</subject></subj-group></article-categories><title-group><article-title>On Recording Waka Poems on Kaishi Sheets of Paper. The Example of the Shokukokinshu kyoen waka Collection</article-title><trans-title-group xml:lang="ru"><trans-title></trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="western" xml:lang="en"><surname>Toropygina</surname><given-names>M. V.</given-names></name></name-alternatives><email xlink:type="simple">mtoropygina@hse.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff xml:lang="en" id="aff-1"><institution>Institute of Oriental Studies of the Russian Academy of Sciences; National Research University “Higher School of Economics” (HSE)</institution><country>Russian Federation</country></aff><pub-date pub-type="collection"><year>2019</year></pub-date><pub-date pub-type="epub"><day>28</day><month>12</month><year>2021</year></pub-date><volume>2</volume><issue>2</issue><fpage>50</fpage><lpage>65</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Toropygina M.V., 2021</copyright-statement><copyright-year>2021</copyright-year><copyright-holder xml:lang="ru">Toropygina M.V.</copyright-holder><copyright-holder xml:lang="en">Toropygina M.V.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.japanreview.ru/jour/article/view/12">https://www.japanreview.ru/jour/article/view/12</self-uri><abstract><p>The article analyzes the rules for recording poems on kaishi sheets of paper by poets during or for the poetic events. The main source of the study is the recording of a poetic collection Shokukokinshū kyōen waka (1266) composed of poems read during a banquet in honor of the completion of the work on the imperial anthology Shokukokinshū. The Gunshō Ruijū publication was used as a source for the investigation, as this publication preserves the principles of recording poems on kaishi sheets. The record of Shokukokinshū kyōen waka is analyzed in context of the karon texts of the time - provisions regarding the recording of poems on sheets of kaishi by Fujiwara no Kiyosuke, Juntoku-in, Fujiwara no Teika.</p></abstract><kwd-group xml:lang="en"><kwd>poetry</kwd><kwd>karon</kwd><kwd>Shokukokinshu kyoen waka</kwd><kwd>imperial anthology</kwd><kwd>Gunsho Ruiju</kwd><kwd>Fujiwara no Kiyosuke</kwd><kwd>Juntoku-in</kwd><kwd>Fujiwara no Teika</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Belyaev A.P. (2017). Osobennosti klassicheskogo I sovremennogo yaponskogo pis’ma raznovidnosti kana [Features of the classical and modern Japanese writing of the kana variety]. In Orientalia et Classica. Trudy Instituta vostochnyh kultur i antichnosti. [Orientalia et Classica. Papers of the Institute for Oriental and Classical Studies.]. Issue LXIX. 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