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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="en"><front><journal-meta><journal-id journal-id-type="publisher-id">japanreview</journal-id><journal-title-group><journal-title xml:lang="en">Russian Japanology Review</journal-title><trans-title-group xml:lang="ru"><trans-title>Russian Japanology Review</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2658-6789</issn><issn pub-type="epub">2658-6444</issn><publisher><publisher-name>Association of Japanologists</publisher-name></publisher></journal-meta><article-meta><article-id custom-type="elpub" pub-id-type="custom">japanreview-61</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>Статьи</subject></subj-group></article-categories><title-group><article-title>Creativity as economic resource: Japan’s practice</article-title><trans-title-group xml:lang="ru"><trans-title></trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="western" xml:lang="en"><surname>Timonina</surname><given-names>I. L.</given-names></name></name-alternatives><email xlink:type="simple">timonina2000@yahoo.com</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff xml:lang="en" id="aff-1"><institution>Moscow State University; MGIMO University; The Russian Presidential Academy of National Economy and Public Administration (RANEPA)</institution><country>Russian Federation</country></aff><pub-date pub-type="collection"><year>2018</year></pub-date><pub-date pub-type="epub"><day>18</day><month>02</month><year>2022</year></pub-date><volume>1</volume><issue>1</issue><fpage>120</fpage><lpage>136</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Timonina I.L., 2022</copyright-statement><copyright-year>2022</copyright-year><copyright-holder xml:lang="ru">Timonina I.L.</copyright-holder><copyright-holder xml:lang="en">Timonina I.L.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.japanreview.ru/jour/article/view/61">https://www.japanreview.ru/jour/article/view/61</self-uri><abstract><p>The article is dedicated to the development of the creative sector of Japan’s economy. The author analyzes specific features and key areas of the sector’s growth, as well as mechanisms of government support for creative industries in furtherance of the Cool Japan strategy and the goal of boosting the domestic demand, expanding the country’s capacity for exports, and creation of jobs. The article also analyzes main approaches of international organizations and experts to the creative economy’s phenomenon in the contemporary world, including terms, definitions, and classification of industries.</p></abstract><kwd-group xml:lang="en"><kwd>creative economy</kwd><kwd>creative industries</kwd><kwd>Cool Japan</kwd><kwd>kansei</kwd><kwd>exports</kwd><kwd>structural policy</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Business Summary. Pokémon in Figures. // The Pokemon Company. 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